jeff singer photography BLOG

I’m not exactly a celebrity photographer. Not that I wouldn’t want to photograph celebrities, but I just don’t seem to get many calls for celebrity shoots. They say if you want to shoot celebrities you need to already have celebrities in your portfolio. Quite the catch-22. However, the few times I have received a call to photograph a celebrity it seemed to be the same story: “we can’t pay much…. But hey, you’re going to get to photograph <insert b-list celebrity here> and you’ll get photo credit!”

I’m not sure why they think I would accept less money just because I’d be photographing a celebrity. I always want to ask, “would you do your job for 50% less pay just because Janeane Garofalo was in the cube next to you?” Probably not.

I’m always usually willing to work with clients to meet their budgets, but if it comes down to getting a good rate and photographing a nerd in Los Angeles (Seriously, I just did a shoot for Psychology Today… they called and told me they wanted me to photograph a nerd) or a low rate and photographing Brad Pitt, I’ll take the nerd every time.

This week Photoshelter began testing a new print service for limited edition prints. One of my photos was chosen to be in the trial run of the service which will be going on through October 1st.

I recently did a shoot with cyclist Liz Hatch for Bicycling Magazine. Liz was gracious enough to come to San Francisco’s Chinatown for the shoot even though she was in a pretty bad crash about a week before the shoot. She could barely lift her hand to shake mine when we met. And yet despite knowing she was in agony, I asked her to heave her bike onto her shoulder (yeah, the bad one). Without complaint she obliged, although I did feel bad as I watched her struggle to find a comfortable position for the bike…. hey, you’re supposed to suffer for your art, right? Oh wait, it’s me that’s supposed to suffer… right?

Needless to say Liz is a lot tougher than I am and could probably kick my ass even with her injuries.

Seems that I made the cut over at Rob Haggart’s A Photo Editor slideshow of photographers he likes. You can head over to the Fickr page or the slideshow website and check out a lot of great work.

Just remember to come back here and hire me.

So far I haven’t made any posts about the technical side of photography, topics like equipment for example. This is actually quite amazing given that I am such a tech/equipment dork. It had to happen eventually so here I am with my first equipment post. And in true tech dork fashion, its a complaint.

I’ve been shooting with the Phase One P25/P25+ for about a year now. Before that I was shooting with a Canon 1DS MkII, which I still have and use for certain shoots. I’ve been mostly happy with the Phase One back, with one major exception: backlit scenes. When shooting into the sun or an artificial light, image detail is lost on a “strip” of the image near the light source. Here is an example:

Here is Phase’s response to the issue:

“the light is hitting the ccd at such a strength that is goes way above and beyond the dynamic range capabilities of the sensor. The anolog electrical signal produced in the pixel is more than it can handle and it gets passed to the next photosite in progression, hence the straight line. A similar thing happens in silver hallide crystals of film with the exception that they pass energy in all directions.”

Not very helpful to someone who likes to shoot with heavy backlight.

The problem I have with the response is, I never experienced this with my Canon 1DSmkII. So, I’ve sent off an email to Leaf to see if their digital backs would exhibit the same problem. I fully expect an email touting how great the Leaf back is and that it will not have the problem. If that is the case I’ll blindly buy the Leaf back and live happily ever after… yeah, right. In reality, if I do get a response saying the Leaf back won’t exhibit the problem I’ll have a Leaf tech come to my studio and prove it does in fact work well in backlit scenes. I’ll keep you posted on the results.

If anyone reading uses a Phase, Leaf, or another MFDB and sees or doesn’t see this problem, let me know.

It seems like talking about assisting on your blog is all the rage right now. It started over on “A Photo Editor’s” blog and now has continued over on “Whats the Jackanory.”I never really did much assisting. A few years ago I got a late start in photography after many years in the tech field. I was 32 at the time and I felt like I was too old to be assisting and didn’t really want to do it. Not because I thought it was beneath me, but rather, I felt the need to get to work on my own career having had such a late start. It surely wasn’t because I felt like I had all the knowledge and skills and was ready to be a professional photographer… quite the contrary. I mean, at the time I had literally only been using a camera for little more than a year. What the hell did I know?I assisted a few San Francisco advertising and editorial photographers on a few shoots but soon discovered that I was a.) really bad at assisting and b.) really didn’t like it. So, partly due to my own stubbornness and largely due to my own ignorance I stopped trying to get assisting work and decided to focus on my own photography. Another reason for my decision not to assisist (aside from nobody hiring me) came on one of my last attempts at working as an assistant. I emailed Timothy Archibald, another great blogger, to see if he needed an assistant. Thankfully, rather than hiring me, he gave me some encouraging words. I hope he doesn’t mind my quoting his response (which I can only imagine having been made while highly intoxicated):

I just got a chance to visit your site, your work is wonderfull. the portraits are very human and introspective, important qualities that are hard to find together in one shot.that said, i would discourage you from trying to find work from me. you clearly should be supporting yourself being a photographer! currently i am not in need of anyone as an assistant, but i will keep you in mind. tho i’m quite sure you will be on your way as a photographer by the time i’d ever get around to giving you a ring. ha.keep up the good work and do not sell yourself short.

Now, maybe this was his way of politely blowing off someone who would clearly be a horrible assistant, but the joke was on him because I took his comments seriously and it helped my push to do my own work.There are some aspects of the photography process that I feel I missed out on by not assisting. Andrew, over at “Whats The Jackanory” pinpointed exactly what it is I feel I missed. Here is what Andrew had to say:

I learnt so much [from assisting], but in the end I was more interested in the process then the technicalities, I enjoyed watching how people worked, their relationship with their subject whether it be alive or still didn’t matter. Everyone has a different approach and it always fascinated me especially my first time out with someone new, how did they tackle things differently from the others; were they calm, nervous, high energy, a talker, quiet, shy, did they like music, silence, were they a screamer, a shouter or were they in total control, was it all an act, a means to an end, or were they for real, what you saw was what you got, how did they interact with the client, the models etc etc.

Since I did little assisting I’ve never really worked with or watched other photographers at work. I always had this feeling in my mind that maybe I’m doing something wrong. Maybe the way I’m interacting with the subject isn’t right. “How would ’so and so’ do this?” Is everyone looking at me and thinking “this guy has no idea what is going on!!!!” Do I need to be more talkative, do I need to be more outgoing, do I need to shut up, do I need to be funnier, do I need to be more serious, and on and on and on.Over time this has passed, but I will admit to having the thoughts pop in my head every once in a while. I’m finally getting to the point where I realize that I just need to do what I do and go about my business. Its when you start trying to be like someone else or do things the way another shooter would, rather than the way you would do it that the results aren’t as good as they could be. If you were hired to do a shoot its because they liked YOUR work, so don’t try to be someone else, just do your thing and the results will be good.I’m still fascinated by how other photographers work, so any chance I get to hang out on a shoot and watch another photographer working I take it. But now I’m there as a peer rather than an assistant… which means, when they have me take in their dry cleaning after the shoot, I know no starch on the collars.

The other day I was talking to someone about junk mail and I couldn’t remember the name of Greendimes. I knew I had mentioned it here recently, so I said something like “oh, its on my blog.” Right as I said it, I thought to myself, “how lame does that sound?” I mean really, who the hell am I to have a blog? Who in their right mind would want to read my blog (Hi Mom).Ok, if I constrain my blog to photography then I have some (small) reason to have a blog. I read other photographers blogs all the time and find some of them interesting. They range from the self aggrandizing to the completely pointless to the downright informational. I will say that I’m not that thrilled when “photography” bloggers start talking about non-photography related subjects (no Mr. Photog, I don’t want to know your opinion on the Republican candidates for the 2008 election). Admittedly, I’m somewhat guilty of this myself.Oh well, you know what they say: “opinions are like ass holes, everybody has one.”  Unfortunately, unlike ass holes, people have way too many opinions.I’ll try to keep things on topic… starting tomorrow. Bonus points if you know what the hell the title of this post means.You can stop reading now Mom.

Miguel Migs is a San Francisco based DJ I photographed for Remix Magazine. This shot is actually an out-take from the shoot that the magazine didn’t use. The magazine wanted shots of Miguel in his studio, but I knew there was an opportunity to get some great shots of Miguel on the roof of the building where his studio is located.I immediately knew I wanted to get a shot with the sun going down behind the buildings in the distance with Miguel in the foreground. It was too early in the day to get that shot so we got all the indoor studio shots done while waiting for the sun to set. Of course, the indoor shots took a bit longer than expected and when I casually wandered outside to check on the sun I was surprised to see it was already beginning to set behind the buildings.I yelled to Miguel and my assistant Emily to get up to the roof NOW! Emily grabbed my gear and Miguel got up there just in time to get a few shots off before the sun went completely behind the building. Half blind from looking into the sun through my camera it was hard to tell if I got the shot, but I was pretty certain I captured what I was looking for.Any time I do a shoot I’m always looking for the best shot that the client is looking for. But, I’m also on the lookout for shots that I’m interested in. As it turned out, the magazine ran with the shot of Miguel in the studio but also ran some of the rooftop images as well.On a side note, I just read about a service that will stop junk mail… not SPAM, but actual physical junk mail coming to your home. Check it out and sign up. Its only $15 and they will even plant a tree in your honor. The website is GreenDimes.Here are some more pics from the Migs shoot:

I recently photographed a dancer at my studio. This was the first time I’ve photographed a dancer so wasn’t really sure how to go about doing it. I’ll admit I’m not the quickest at pushing the button, especially when shooting with larger formats. I generally like to work slow and methodical, so if something springs out of nowhere in front of my lens, chances are I’ll catch the tail end of it by the time I’m in focus and ready to push the button. If I were a sports photographer, I’d likely get “The Celebration” rather than “The Catch.”Having finished the shoot and gone through the images I already know what I’d do differently. I can see that I didn’t get enough movement in many of the earlier photos from the session. A lot of the images look like she is either posing or doing Yoga even though she was actively dancing. My favorite of the dancing shots is one above that showed movement. I like how the hair is covering her entire face and just one eye is focused right on the lens (although in the low res version it does look like her eye is closed). It shows movement and a connection to the viewer. I like a lot of the other images, but this would be my select for the dancing images.Let me know what you think of the images and if you have any tips for shooting dancers I’d love to hear them.Here are some more of the dancing images:Photo hair/makeup: Veronica Sjoen

Someday I may be as tough as Roz Savage , but I doubt it. You see, Roz Savage is a 40 year old woman who can’t be more than 5′2″ tall, and as of today she is in the process of rowing from the San Francisco Bay to Australia. She will be the first woman to row solo across the Pacific Ocean.Come to think of it I’m not all that impressed… she is after all stopping in Hawaii. But, I’ll cut her some slack. The trip to Hawaii alone is expected to take about 70 days. And, she is doing this all on her own with no “safety” boat staying close at hand. She will literally be in the middle of nowhere should anything go wrong.Strangely enough a couple days before I got the assignment to photograph Roz for 7×7 Magazine I went kayaking in the bay. I haven’t been kayaking in years. Isn’t it strange how things happen like that. Anyway, I didn’t feel the need to mention it to her. I doubted she would have been too impressed considering after about 45 minutes of fighting a light breeze in the bay I had just about all I could handle. Hey, I didn’t have the equipment she has. I’m sure I would have lasted at least an hour with her gear.On a side note, it seems like the issue of bottled water, which I wrote about last month is a popular topic these days. I was reading the New York Times this morning and read a new article about the backlash at people who drink bottled water. It was in the New York Times Style section, so I guess this means that if you don’t drink bottled water you’re stylish. They even mention that the cool new accessory is the reusable plastic Nalgene bottles. Hmm, I wonder if those fit in the Hummer cup holder?

I’ve never really pursued having my work shown in galleries or exhibits. Its not that I don’t want to show work in galleries, it just hasn’t been my primary focus so far. However, starting on August 6th and running until Augu19th I will have four pieces in a group exehbition at the Space Gallery in San Francisco. The exhibit is being put in by Yelp and The Space Gallery. The theme of the exhibit is Reflections on City Life & Community. There will be an artists reception which is open to the public on August 16th from 7:30pm to 11pm. You can follow the Space Gallery link to find more information.

I was contacted by Southwest Airlines to do a shoot for the in-flight magazine Southwest Spirit. They were doing an article on “Vintage San Francisco” and they wanted it shot in B&W. It sounded like a great project and I was excited to get it. Then the Photo Editor said something I couldn’t believe… she said that it was ok to shoot digitally.

As she was describing the project I was already envisioning how I was going to shoot the project. Getting a request for a B&W shoot is rare enough now days, but a story about Vintage San Francisco that contains primarily architecture and wanting it in B&W is even rarer still. I thought there is no way I’m going to shoot this with a 35mm digital camera! (which was the equipment I had at time) Don’t get me wrong. I’m no “anti-digital” purist. I am a tech nerd through and through (yes, I got the iPhone days within release). Tech was even what I used to do in a past life before photography. I am fully digital, 35mm to Medium Format and Large Format. But if there was ever a project that called for using a large format View Camera and Polaroid Type 55 film, this was it. At the time i didn’t have a View Camera and had never used Type 55 film, but it was something that I’ve always wanted to use. So, I went out and bought the equipment and learned on this shoot. It was great traveling all around the city and looking at places I’ve seen every day in a whole new light.

The Photo Editor loved the results and I think the images were far better than a 35mm digital camera could have produced. I know its not the equipment that makes a photograph, but there is something a little more soulful to taking a picture with a View Camera and Polaroid film. For me, its like the difference between Vinyl and an MP3… sure there are pops and scratches on the vinyl but it gives a different mood and warmth that can’t be matched, even if it is just in my mind.

Unfortunately I’m a fairly simple minded and easily persuaded person… I’m the type that reads and article or sees a dateline segment and thinks “yeah, that’s terrible, lets do something about it!” A friend of mine works for Current TV which is Al Gore’s TV network. So, of course my friend had the new issue of Fast Company with Al on the cover.One of the articles in the decidedly Green issue was about bottled water. Now, I know the last thing you came here for was to get the views of another idiot spouting information you either already know or don’t care all that much about, but hey, this is my blog so I’ll say what I want. I have no doubt bottled water has had a positive effect on society if only for the fact that there was a time it wasn’t available and people instead were likely drinking a bottle full of sugar in some form or another. But when you learn about the effects all these bottles of water have on the environment from creation, transportation to disposal it makes you wonder why the hell you’re drinking the bottled water. After all, we all (especially for those of us living in San Francisco) have equal quality water coming right out of our taps. Just about everywhere we buy our bottled water will also have perfectly good tap water for us.I’ll end my little diatribe and let you read the article and decide for yourself. So, how am I going to bring this around to photography? I’m not, directly anyway. Only to say that over the last few months I’ve done a couple of shoots for 7×7 Magazine that were on the green side. The picture above is Sarah Weiner of Slow Food USA which is an organization that wants to reach out to consumers and demonstrate to them that they have choices over fast food and supermarket homogenization and to create a movement that protects taste, culture and the environment as universal social values. You mean, I shouldn’t be eating this Big Mac right now? Well, at least I went with the tap water. On to the next cause.

Author Christopher Hitchens for the Village Voice. Christopher was exactly what I’d expect him to be like… if you’ve seen him on The Daily Show and other news shows you know what I mean. Chain smoking and very dry humor. I primarily photographed him around the yard and house but I ended up liking this shot which was taken in front of his garage. This is the image used in the Village Voice as well. Well, I’m off to the airport to catch a flight to Dallas.

This image was a shot for the Financial Post Business. The magazine was doing their annual CEO rankings and John Feltheimer, the CEO of Lions Gate Films was on the list. I photographed John in the back yard of his Los Angeles home, a very nice home as I’m sure you can imagine. John had just about the tiniest dog I’d ever seen. I wanted to photograph him holding the dog in one had. Unfortunately his “people” didn’t think it would be a good idea because they didn’t like the image of him with such a “less than manly” dog. Next week will be a busy week for me. I’m shooting a campaign for Country Wide. I’ll be spending a couple days at their Dallas offices and then a few more in Los Angeles.

For the Financial Post cover shoot we needed a Harley. A San Francisco dealer (Golden Gate Harley Davidson) provided the bike for us. Along with the bike the sent this guy to make suer everything was fine, and from the looks of him, he’s not someone you want to mess with. He was great… and for him, he was having a blast. He thought helping out on the shoot was one of the coolest thing he’d ever done. While setting up for the shoot I took a few shots of him… you couldn’t cast someone better for the part of “Biker guy.”

I recently shot a cover image for the Canadian magazine Financial Post Business. The shoot went well and everyone involved was happy with the images. Hair and makeup was done by Diane Catorc and styling was done by Patricia LaCava. This shot was an outake, my favorite from the shoot, but of course not the images chosen by the magazine.

This was another shoot for Playboy magazine. They were featuring the artwork of an artist from just north of San Francisco in Petaluma California, Denise Leite. She was pretty crazy and fun to work with. I’m sure you can tell not only by her art work but also her outfits and hair that she is very unique.

As is usually the case, the magazine didn’t pick my favorite image. This was my favorite from the session.

I photographed author Peter Manso for Playboy Magazine at his home not far from San Francisco. This was the shot they used in the magazine. Peter has written many biographies, including one on Marlon Brando. The article in the magazine was about the war over Brando’s estate.