
I just found out a cover I shot for Globe & Mail’s Report On Business Magazine was nominated for a National Magazine Award in Canada. Alas, since I’m not Canadian I couldn’t be nominated in the portrait category. Maybe if they knew I lived in Canada for a couple years and I got started in photography there that would change their minds. Either way thanks to Clare Jordan for hiring me to do this shoot and congratulations to everyone over at ROB Magazine. Good luck!

I got to head down to Universal Studios Hollywood a while back to photograph the President of Universal Studios, Larry Kurzweil for Carnegie Mellon’s alumni magazine. The one requirement, not imposed by the magazine, was that one of the Simpson’s characters had to be in the shot. Universal PR was insisting on this one point and the magazine was ok with it so I obliged. The studio originally wanted Homer in the shot but the costumes are so enormous in real life that Larry was dwarfed next to Homer, so we went with Bart.

As I mentioned in my Rebbeca Van Dyck post, I headed over to the new Facebook campus to photograph CSO (Chief Security Officer) Joe Sullivan for the cover of CSO Magazine.
I was hoping to get a shot that had a dark mysterious mood to it and after walking around Joe’s building in I knew I found my spot in this unfinished area. I felt like I was on an alien space ship with all the cables and tubes coming out of the ceiling. Of course, it could all be for the new Human Harvesting & Cloning Division of Facebook (Possible tag line: “Why does there only need to be one of you checking in to your favorite restaurant?”) Look for that feature in your Timeline soon.

Along with all the talk of Facebook’s pending IPO last week I had two of my own Facebook connections pop up. First, I was called to photograph Facebook’s CSO (Chief Security Officer) Joe Sullivan for an editorial cover shoot. And then, I read that Rebecca Van Dyck was just hired by Facebook to head up their marketing department. I photographed Rebecca a few month’s ago for AdWeek while she was still Levi’s Director of Marketing.

I’ve been shooting film on all my editorial shoots so far in 2012 and I plan to continue (unless things like deadlines call for digital). Whenever I mention that I’m shooting film to the Photo Editor or Art Director, they pretty much say the same thing; “Film? Cool! I love film!” A Photo Editor just the other day said to me: “Oh, you shoot film? No wonder I love your work!”
Then, when I get to the shoot and pull out something like my Mamiya RZ67, every subject has said just about the same thing; “Whoa, what kind of camera is that? You’re shooting film? Wow!” You know what I hear a lot when I pull out a Canon digital?
“Oh, I have one of those.”