Breaking Point

I realized today there is a point where you may just drive your assistant crazy.  Here is the moment I drove friend and assistant Emily Merrill to the breaking point on an editorial shoot.

And, here is Emily doing her best ”I’m a model and I can contort my body into weird positions for no apparent reason whatsoever” pose.

If you feel bad for Emily, having to put up with me, and happen to need (or know someone who needs) a wedding photographer you should check out her great new wedding website here:  http://www.emmyjeannephotography.com/

Moving?

A couple months ago I visited New York City. It was my first time in New York since about 1984. I would have been 12 at the time. I was surprised by how much I liked the city. I guess the image of New York I had in my mind had no basis in reality. I found myself liking New York so much that I wondered what it would be like to move there.

Moving when you have a real job is usually not a big deal. Either you get moved to a new office by your company or you move for a new job. But when you work for yourself it’s a bit more tricky. It’s as if you would be starting over from scratch.

Quite often for editorial work, with both new and old clients, I get called on because they need a photographer in the Bay Area or Los Angeles. With editorial work I rarely get called to travel outside California. I’d love to travel more for editorial work, but so far that hasn’t been the case (That isn’t true of commercial work… for commercial work I’ve traveled all over the US and Europe)

I’m not suggesting I have some great name recognition as a “San Francisco Photographer” or potential clients instantly think of me when they have a shoot in the Bay Area (I hope they do). It seems that most of my new clients tend to call when they have a shoot in the area and find me on sites like Workbook, Blackbook, Photoserve, or they have been receiving my promo pieces and finally have a project for me. So, does this mean getting new clients after a move is as easy as updating my location information in the places I promote myself and sending a move notice to my current clients? Will my existing clients start sending me on shoots close to my new location just as they would at my old location?

So how do you do it… how do you pick up and move and start over as a photographer? Especially when you’re in my position: someone relatively new to photography (about 4 years now) who is constantly seeing an increase in work, types of clients, size of jobs, and actually discovers people do already know who and where I am when I contact them. Is this constant progress due to a response to my work and my promotional efforts? Or, is it because of where I live? Will I loose that if I move or will it continue in my new city?

I’m not suggesting I’m moving any time soon… or ever for that matter. But it has been on my mind and New York would be first on the list (in the U.S. anyway).

And I know you come here not only for your photography related information, but also political commentary, so… Don’t forget to vote tomorrow!

Blinded By The Light

So far I haven’t made any posts about the technical side of photography, topics like equipment for example. This is actually quite amazing given that I am such a tech/equipment dork. It had to happen eventually so here I am with my first equipment post. And in true tech dork fashion, its a complaint.

I’ve been shooting with the Phase One P25/P25+ for about a year now. Before that I was shooting with a Canon 1DS MkII, which I still have and use for certain shoots. I’ve been mostly happy with the Phase One back, with one major exception: backlit scenes. When shooting into the sun or an artificial light, image detail is lost on a “strip” of the image near the light source. Here is an example:

Here is Phase’s response to the issue:

“the light is hitting the ccd at such a strength that is goes way above and beyond the dynamic range capabilities of the sensor. The anolog electrical signal produced in the pixel is more than it can handle and it gets passed to the next photosite in progression, hence the straight line. A similar thing happens in silver hallide crystals of film with the exception that they pass energy in all directions.”

Not very helpful to someone who likes to shoot with heavy backlight.

The problem I have with the response is, I never experienced this with my Canon 1DSmkII. So, I’ve sent off an email to Leaf to see if their digital backs would exhibit the same problem. I fully expect an email touting how great the Leaf back is and that it will not have the problem. If that is the case I’ll blindly buy the Leaf back and live happily ever after… yeah, right. In reality, if I do get a response saying the Leaf back won’t exhibit the problem I’ll have a Leaf tech come to my studio and prove it does in fact work well in backlit scenes. I’ll keep you posted on the results.

If anyone reading uses a Phase, Leaf, or another MFDB and sees or doesn’t see this problem, let me know.

I Feel Naked

I’ve never really done nudes before. Once back in school they had us do a nude assignment. The school provided us with models to use for our shoots. My girlfriend at the time refused to let me photograph another woman naked. And yet, at the same time she refused to let me photograph her naked. Knowing that I had to complete the assignment she eventually caved. I guess the thought of me photographing another woman naked left a worse taste in her mouth than posing for the assignment herself.At a workshop I recently attended we were given a model to photograph. Everyone in the workshop proceeded to photograph her naked. Each photographer had a few minutes with the model and they did their thing. With 15 people in the workshop, the poor model was poked and prodded as if she was a piece of cattle on the way to slaughter. It was now my turn. I don’t really like to be watched by a lot of people when I take pictures (if I can help it, which often times, I can’t) so I went last. As I walked up to the model I said to her “Ok, I’m going to ask you to do something really weird.” The model had a horrified look on her face as if I was about to ask her to do something even Larry Flint would blush at. Instead, I set her mind at ease by asking “would you mind putting your clothes back on?” She laughed and obliged my not-so-deviant request. Everyone else in the room thought I was some sort of weirdo for having the naked woman put her clothes back on.So why nudes now? I’m not quite sure… My assistant Emily does nudes, so maybe rather than my style rubbing off on her as is often the case with photographers and their assistants, it is her that is rubbing off on me. Either way, I had been thinking about exploring nude photography for the last few months, so when given the opportunity I decided to give it a shot. And what better opportunity than when my friend, the lovely and beautiful Jennifer, despite her reservations (something about the pictures ending up on the internet… which I assured her would never happen), let me photograph her one chilly morning last week.Jennifer isn’t a model so having her photo taken isn’t exactly a routine event for her… let alone having her photo taken while undressed. Despite feeling a bit uneasy at first, she did a great job and quickly became relaxed in front of the camera.I do realize these aren’t technically nudes since Jen is covered up for the most part. I didn’t really do anything different than what I would do shooting a clothed woman. I guess thats a good place to start until I figure out what it is I want to do. Maybe next time I’ll try something outside my comfort zone. That’s what this personal work stuff is all about after all… trying something new and different.

Dirty Dingle

Its been a while since my last entry. I’m hoping I’m providing quality and not just quantity. (although I realize its likely neither)

This weeks entry is in honor of Halloween. My friend Deirdre has what I consider to be one of the cutest dogs I’ve ever met. The dog’s name is Dingle (named for the port in Ireland, not the berry).  Dingle is a small Hungarian Puli.   As some (crazy) people like to do with their animals, Deirdre occasionally dresses Dingle up in strange costumes. Normally I find this practice annoying, but for some reason I enjoy seeing Dingle in her various outfits. Deirdre got the idea that Dingle should be dressed up as a Mexican in a sombrero and poncho for her Christmas cards… yes, Christmas cards.

I wanted a grimy border town feeling for the picture so we headed to a back alley in a not so savory section of The Mission.  The alley had exactly the look I wanted, so we set up shop and begin taking pictures.   During the shoot, we were approached by a “lady” who looked a little questionable.  She walked up to me, looking around suspiciously, and asked me if I had any crack. She was asking in a way you would think is only done in movies, as if I or someone near by just might be an undercover cop.  I had to let her down by telling her I in fact did not have any crack for her.  Disappointed, she walked away.

During our little shoot she returned quite a few more times to check back in, just in case my supply had changed.  It hadn’t. I’ll give her this much, she was very persistent… or she just didn’t remember having already asked me… I’m not sure which.  As we continued taking more pictures of the the siesta-esque Dingle we believe that the woman apparently found what she was after. Not thirty yards from where we were, we noticed her and some of her “friends” standing in a circle enjoying what we can only imagine to be what she previously was hoping to purchase from me.  It was at this point we thought it would be a good idea to pack up the gear, grab Dingle and move on.

Needless to say we were very happy to get out of there not only with what I think is a funny picture of Dingle, but also with our lives.   And you’ll be happy to know that Deirdre won “best Christmas card” among her friends and family with the “Dirty Dingle” picture.   Maybe I have a future in taking pictures for greeting cards… and with that thought, please excuse me while I go kill myself.

I hope everyone has a happy Halloween.