Always On The Lookout

Miguel Migs is a San Francisco based DJ I photographed for Remix Magazine. This shot is actually an out-take from the shoot that the magazine didn’t use. The magazine wanted shots of Miguel in his studio, but I knew there was an opportunity to get some great shots of Miguel on the roof of the building where his studio is located.I immediately knew I wanted to get a shot with the sun going down behind the buildings in the distance with Miguel in the foreground. It was too early in the day to get that shot so we got all the indoor studio shots done while waiting for the sun to set. Of course, the indoor shots took a bit longer than expected and when I casually wandered outside to check on the sun I was surprised to see it was already beginning to set behind the buildings.I yelled to Miguel and my assistant Emily to get up to the roof NOW! Emily grabbed my gear and Miguel got up there just in time to get a few shots off before the sun went completely behind the building. Half blind from looking into the sun through my camera it was hard to tell if I got the shot, but I was pretty certain I captured what I was looking for.Any time I do a shoot I’m always looking for the best shot that the client is looking for. But, I’m also on the lookout for shots that I’m interested in. As it turned out, the magazine ran with the shot of Miguel in the studio but also ran some of the rooftop images as well.On a side note, I just read about a service that will stop junk mail… not SPAM, but actual physical junk mail coming to your home. Check it out and sign up. Its only $15 and they will even plant a tree in your honor. The website is GreenDimes.Here are some more pics from the Migs shoot:

Dancer

I recently photographed a dancer at my studio. This was the first time I’ve photographed a dancer so wasn’t really sure how to go about doing it. I’ll admit I’m not the quickest at pushing the button, especially when shooting with larger formats. I generally like to work slow and methodical, so if something springs out of nowhere in front of my lens, chances are I’ll catch the tail end of it by the time I’m in focus and ready to push the button. If I were a sports photographer, I’d likely get “The Celebration” rather than “The Catch.”Having finished the shoot and gone through the images I already know what I’d do differently. I can see that I didn’t get enough movement in many of the earlier photos from the session. A lot of the images look like she is either posing or doing Yoga even though she was actively dancing. My favorite of the dancing shots is one above that showed movement. I like how the hair is covering her entire face and just one eye is focused right on the lens (although in the low res version it does look like her eye is closed). It shows movement and a connection to the viewer. I like a lot of the other images, but this would be my select for the dancing images.Let me know what you think of the images and if you have any tips for shooting dancers I’d love to hear them.Here are some more of the dancing images:Photo hair/makeup: Veronica Sjoen

Roz Savage: Rowing the Pacific

Someday I may be as tough as Roz Savage , but I doubt it. You see, Roz Savage is a 40 year old woman who can’t be more than 5′2″ tall, and as of today she is in the process of rowing from the San Francisco Bay to Australia. She will be the first woman to row solo across the Pacific Ocean.Come to think of it I’m not all that impressed… she is after all stopping in Hawaii. But, I’ll cut her some slack. The trip to Hawaii alone is expected to take about 70 days. And, she is doing this all on her own with no “safety” boat staying close at hand. She will literally be in the middle of nowhere should anything go wrong.Strangely enough a couple days before I got the assignment to photograph Roz for 7×7 Magazine I went kayaking in the bay. I haven’t been kayaking in years. Isn’t it strange how things happen like that. Anyway, I didn’t feel the need to mention it to her. I doubted she would have been too impressed considering after about 45 minutes of fighting a light breeze in the bay I had just about all I could handle. Hey, I didn’t have the equipment she has. I’m sure I would have lasted at least an hour with her gear.On a side note, it seems like the issue of bottled water, which I wrote about last month is a popular topic these days. I was reading the New York Times this morning and read a new article about the backlash at people who drink bottled water. It was in the New York Times Style section, so I guess this means that if you don’t drink bottled water you’re stylish. They even mention that the cool new accessory is the reusable plastic Nalgene bottles. Hmm, I wonder if those fit in the Hummer cup holder?

When Quality Is Job None

I thought I’d post a link to a blog entry I read recently on John Loomis’ Blog about the bidding process and low priced photographers. It was a coincidence he posted about this subject when he did because not a week before his post I was confronted with the same exact problem he writes about and was discussing it with some other photographers. I guess all photographers who value their work and bid on projects accordingly run into this problem all the time. The problem of course being photographers who bid next to nothing for a shoot and give away all their rights to the images.

As a client, I would be worried about hiring the lowest bidder for fear that they don’t really know what they’re getting into. If you’re dealing with a larger production and someone says they can do it for a quarter of what an experienced photographer can do the job , chances are they don’t really understand the complexity of the shoot. Once you’ve hired this photographer, you may not know how badly things are going to turn out until its too late. Not only that, there is usually a reason the low priced photographer is low priced and even if it isn’t a big production you can’t be sure of the quality you will get.

Unfortunately we don’t live in a perfect world and quite often it is the lowest bidder, and thus lowest quality, that is chosen. Not only that, often times “good enough” is good enough as can be seen by the abundance of visual crap we see on a daily basis. I remember not too long ago, after i submitted an estimate for a job I was called by the potential client asking if I could come down in my price. They told me another photographer was significantly lower in price. I asked who the photographer was and looked at his work online. As politely as I could, I let them know why that photographer was so cheap. Clearly they would have been getting a lower quality photograph. The potential client’s response to this was… and I kid you not… “how much would you charge to take a bad photograph?” I laughed and told him I just didn’t think it would work out.

Here is to the clients that want to produce something better than”just good enough.” Thank you!

Yelp Exhibition At The Space Gallery Aug 6th – Aug20th

I’ve never really pursued having my work shown in galleries or exhibits. Its not that I don’t want to show work in galleries, it just hasn’t been my primary focus so far. However, starting on August 6th and running until Augu19th I will have four pieces in a group exehbition at the Space Gallery in San Francisco. The exhibit is being put in by Yelp and The Space Gallery. The theme of the exhibit is Reflections on City Life & Community. There will be an artists reception which is open to the public on August 16th from 7:30pm to 11pm. You can follow the Space Gallery link to find more information.